The curators inspire a dialogue between two remarkable artists who shared much in common yet never had the chance to meet in person. The exhibition celebrates the profound inspiration both artists draw from the beauty of the natural world.

In December 1901, just after her thirty-sixth birthday, Berthe Weill used her modest dowry of 4,000 francs to fund her aesthetic passion and opened a gallery dedicated solely to modern art. In the decades to come, she would become a champion for then-unknown artists like Pablo Picasso and Henri Matisse. Galerie B. Weill would host the first exhibition of Diego Rivera in Paris, the only exhibition of Amedeo Modigliani during his lifetime, and would be the first to show the art of Fauvism and Cubism to the public. So, how come Berthe Weill's name and accomplishments disappeared from art history? The new exhibition at the Grey Museum is set to explain and correct this injustice.